“There’s definitely an evolving perspective on this space,” Marrin told TechCrunch. The general feeling from the people I’ve been chatting with has been that there’s still a big demand for companies and tools to create VR well, but the scale has been overblown and the timelines are going to need to fall a bit more in line with reality. Attempts at creating all-in-one audio/video professional solutions haven’t gone all that swimmingly last year Nokia shut down its Ozo VR camera unit and laid off hundreds. Different projects generally need different solutions for getting high-quality video and audio. Last year, the team closed a $1 million round of funding from creative audio agency Grayson Matthews.Ĭapturing live action VR has always been a bit of a hacker’s enterprise. The audio engineers bootstrapped the company the best way they knew how, funding the project by continuing to mix records on the side. The system is available for order here.ĬEO Matt Marrin and his co-founder CTO Greg Morgenstein got together in 2016 with the idea of a high-end microphone system that got everything right. The effect is 8 tracks of sound that envelops the listener wherever they turn, something pretty essential for virtual reality specifically. The unique design involves a custom clamping mechanism that means the rig can be mounted below a 360 camera and stay out of the shot, capturing sophisticated audio invisibly as a result. Buyers of the $2,500 8ball will get a bunch of pro plug-in tools so they can fit the product into their editing pipeline with ease. The 8ball is an “omni-binaural” microphone, meaning it captures 360 audio of a space using four pairs of omnidirectional mics. Hear360 has just begun shipping pre-orders of 8ball, a souped-up binaural 360 microphone rig geared toward professionals that are all about experimenting in new immersive mediums. Magic 8-Balls have been known to hold some disappointing, trivial answers to teenage life’s hardest questions, but one LA startup is hoping to find success in them.
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